– and camera movements – parallel and circle tracking, pans and tilts. the lines.ĭay 1: learn how to master your physical expression in a scene through different formats – master shot, close up, detail shot etc. Not only is the largest part of communication already non-verbal, but body-language can also prepare, enhance, add to or substitute the spoken words, i.e. So it is essential for an actor not only to know their own body language, but to be able to use it consciously, deliberately and in various ways. Unlike words or even facial expressions, the body always tells the truth. This course fills the gap: the actor may not be able to control their emotions or thoughts, but can always control their body movements.īody language plays a decisive part in the communication. The results may be that an actor steps on set feeling fully prepared, but as soon as the circumstances are less than ideal, they feel unable to fully ‘deliver’. In acting training there is often such a focus on emotion, thought-process and text-analysis that the body sometimes gets left behind. This intensive weekend is focused on using body language in camera acting. Using Body Language in Camera Acting – Intensive Weekend with Nick Dong-Sikġ0 – 6 pm Saturday & Sunday 25-26 January, 2014
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